![]() Notorious for her spending, she also was infamous for a succession of ever younger lovers, bestowing riches and titles upon them as parting gifts. She commissioned the best European jewelers to create “rings, earrings, snuffboxes, and exquisite gem flower bouquets.” At the Winter Palace, she filled her diamond chamber with tiaras, aigrettes, hairpins, and a 189-carat diamond “the size of an egg,” she boasted to her friend Voltaire. ![]() By 1791, writes the author, her museum at the Hermitage boasted paintings by Europe’s major artists, 38,000 books, 10,000 engraved gems, 10,000 drawings, and an extensive natural history collection. Besides legitimizing her claim to rule, Catherine wanted to put Russia on the international stage as a sophisticated, cultivated nation. ![]() The self-aggrandizing Catherine II (1729-1796) was an obsessive, voracious collector.Īs art journalist Jaques ( A Love for the Beautiful: Discovering America’s Hidden Art, 2012) amply shows in this well-researched biography, Catherine amassed paintings, sculpture, books, jewels, furniture, furs, and palaces not because she was an aesthete, but “to legitimize her shaky claim to rule and reinvent herself as Russia’s enlightened ruler.” Married at 16 to the ineffectual Grand Duke Peter in 1762, with a lover’s help, she staged a coup and installed herself as empress. ![]()
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